The art of expectant waiting, going for a walk with Jim Strong
Interview Essay
Artblog, Fall 2024
The acoustic wonder of Toshi Makihara’s ‘Becoming the Sound’ at Vox Populi Gallery
Essay
Artblog, Fall 2024
The Muddy Thoroughfare of Life, Death, and Art in Todd Stong’s “Becoming Hole” at Peep Projects
Essay
Artblog, Summer 2024
Spring is Coming, in Dona Nelson’s ‘Selected Paintings, 2019-2023’ at Locks Gallery
Essay
Artblog, Spring 2024
Stop Making Sense
Excerpted Essay from Transcendent Mess Catalog
Artblog, Winter 2024
Legshow: Lolita and Balthus and Poor Things
Essay
Substack, Winter 2024
Going Through
Essay
Substack, Winter 2023
Bitch/Saint, 49 years of Anne Minich’s Head Series at Commonweal Gallery
Review
Artblog, Fall 2023
‘We’re All Here But We’re All Dead’ An Interview with Jacob (Chris) Hammes on Pilot+Projects’s History and Closing
Interview
Artblog, Fall 2023
Bedtime Stories 2
Essay and Audio Recording
Substack, Summer 2023
The Imitation Game : An Artist’s Role in Latent Space
Essay
Artblog, Summer 2023
The Barbie Movie is just an ad.
Essay
Substack, Summer 2023
Painting is Frozen Music
Review
Artblog, Spring 2023
Sue Williamson, Lebohang Kganye, on Memory, Storytelling and Forgiveness, at the Barnes Foundation
Review
Artblog, Spring 2023
No place place
Essay
Substack, Spring 2023
Since Sliced Bread, Seneca Weintraut’s D_NNER PARTY and the Technology of American Time
Review
Artblog, Spring 2023
Let’s Get Free: The Transformative Art and Activism of the People’s Paper Co-op
Review
Artblog, Spring 2023
Striking As Art
Essay
Artblog, Spring 2023
There is no there there
Review
Substack, Winter 2023